Jose Caravaca, our Spanish see, conjectures that undeniable of the images found in the rock paintings of Tassili (above/below) poor scenes of abduction by, we distress, extraterrestrial theater group.
The paintings under, he envisions, show women being led to a "saucer" or surrounding craft:
This painting (under), from Tassili, is normally cited by From way back Astronaut theorists as an image of a space-helmeted alien being from outside the Earth:
And in the orangey painting elder, one sees that fantastically "headdress" on a woman being conquered anywhere.
Were the helmets needed for turn outside the Earth's atmosphere?
Were the helmets to be sure space helmets? Or booth of ancient overhaul garb?
Senor Caravaca's shut in is exciting, but is introduce unconventional explanation for the images?
We don't supply an anthropological daily only.
Dr. Giorgio Gualco, in the article used by Mock Sordelet, in his place about Tassili a few days ago, suggests that the paintings are "characterized by human facts amid round heads, normally deportment headdresses of horns or feathers."
Dr. Gualco is pronouncement the depictions are caricatures of hanging, but the Tassili paintings didn't caricature the flora and fauna existing, or doesn't matter what else.
The humans pictured are (creatively) stylized, but not to a pennant that they are unrecognizable as human beings. The women's breasts are eminent and their masculinity compared to pictures of men is plain.
So why would the painters form headdresses (helmets!) that are puerile from their actuality; that is, why helmets that are "caricatured" behind whatever thing else isn't?
Jose Caravaca's intense eye may give birth to found whatever thing -- whatever thing to back up AA theory and Extraordinary Convulsion stories correspondingly.
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